Two more variants. What should come back? A useful order names the work a studio will take over and the assets the buyer will receive.

Here is a hypothetical example. A fox is stranded on an island. The player rotates a bridge, the fox crosses to safety and opens a treasure chest. Both rescue and reward are already in the same scene.

Two jobs from one master

Version A says “Rescue the fox.” on a navy headline panel. B keeps those words and changes the panel fill to plum. C uses A’s navy panel and replaces the headline with “Reach the treasure.”

If the buyer supplied an A master for this scope, KSTUDIO could produce two separate variants.

The B task is a presentation change: replace the panel fill while preserving the headline, scene, edit, audio and type treatment. The output would be a B variant in the agreed format.

The C task is a headline change: replace the exact words while preserving A’s panel and execution. The output would be a C variant in that format. The layout would need to fit both headlines without shrinking or wrapping one.

A remains the shared reference. The buyer receives distinguishable files to review against the requested changes.

A handoff the studio can act on

Starting master and source materials: ______

Promise to preserve or emphasise: ______

Exact change: ______

Elements to keep: ______

Named output and agreed format: ______

Filled for B:

Starting point: A and its source materials.

Promise: guide the fox to safety.

Change: navy headline panel to plum.

Keep: the words, scene, edit and typography.

Output: B presentation variant.

Filled for C, the changed line would be “Rescue the fox.” to “Reach the treasure.” The output would be C, with A’s navy panel retained.

A presentation variant is worthwhile when presentation is the question. A/C explores two exact headlines; wording and length change with the emphasis, so it cannot establish a universal rescue versus reward rule. B/C would change both the colour and the headline.

These are proposed production tasks, not completed ads. The buyer/media team owns the experiment and interpretation. Before a real order, the source materials, product promise match and delivery format would need agreement.

The handoff defines something concrete to commission and receive: an identified variant with a specified change.

Name the change and the asset you want back.